The notes generated by these computations allow us to create two Major Scales: 
B Major:  B - C# - D# - E - F# - G# - A# - B 
F#:  F# - G# - A# - B - C# - D# - E#/F - F# 
Substituting the A for the A# in either one of the above scales results in: 
     B Mixolydian:  B - C# - D# - E - F# - G# - A - B 
     F# Dorian:   F# - G# - A - B - C# - D# - E - F#    
     
The B scale and the F# scale are closely related, in fact F# is the Dominant  (V) chord of the key of B. They share most notes; or all notes, if modes are used. 
The Dodecahedron spells an Amaj7-6 chord, intimating another major harmony, A, to be added to the mix. This means B, F# and A create the major harmonic matrix of the Platonic Solids. 
The fact that these are created using very specific geometries, informs us the B, F# and A tonalities and their harmonies are significant cosmological manifestations; and given the Platonic Solids are the building blocks of creation - the Elements - then listening, performing with and aligning to these frequencies will bring one back into Universal Harmony. 
With Angel Harps we are able to fine tune to all of these chords and scales, and have an easily accessible way of resetting the human energy physiology back to its most natural state.